Back in the day, it was tapes.

We would lis­ten to hours of radio, Bryce and I, wait­ing for an elu­sive “Love Roller­coaster” or “Let­ting the Cables Sleep”. We would tune to MTV, a chan­nel that my par­ents had taken care to hide from us, tape deck bal­anced against the TV speak­ers, vol­ume loud enough to dis­tort, and add a lit­tle hip-hop or hard rock for fla­vor. When we were older, we’d meet Nick Brotzel, and, from him, we’d learn about rap music. I’d take care to gen­er­ate “clean” ver­sions of “Gin and Juice” and “Car­toon Ghetto”, though the effort was hardly worth­while. My think­ing was that this could help exon­er­ate me, should any of my mix­tapes fall into the wrong hands. Thus, hours were spent; days were devoted. We col­lected songs like lep­i­dopterol­o­gists col­lect butterflies.

This is the art and pas­sion of the mix­tape. Tapes gave way to CDs which have given way to mix playlists (mps). Lengths have increased, though I keep my playlists to CD length. One thing hasn’t changed: the passion.

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